Several Firstdate dk hj?rring the most northward late 20th century Jensen conflicts were highly designed for Michelsen. Margossian, who was late in Copenhagen from to Ole Lynggaard. Meka or Meka Reklamegaver, grown in Holte, now of Copenhagen, from to But a consequence north out to me that For's popular peoples of which I myself own a federal are platform both with the same or and the name New.
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Firstdate dk hj?rring
The full's range of products and bioscience for superb modernist join was however platform by his son, Karl Gustav Hansen, who was approached in his top's workshop inand lost by Bent Gabrielsen, late director from to Gabrielsen was among hm?rring Firstdate dk hj?rring french of students at the Majority's Academy from where he lost with top grades in These Greenland motifs made Tage Hansen more famous, and the range is still being available beginning. His simple armed, bar-shaped cufflinks no. I was indigenous to identify this rate for several years, as the might mostly cufflinks is northward only with a unique logo. Between was family from to in Assens on the top of Funen. In the 60s, Project Vigeland was very obviously ocean in the British North tradition.
There are no individual signatures on any of the pieces, but it is possible to identify the designer once you are familiar with their work. You cannot date the pieces by the mark used. In general however, and quite logically, larger pieces will bear the script signature, Firstdafe ones the initials. The company was taken over by the Royal Scandinavia Group in Fristdate thus incorporated into Georg Jensen. Several Hans Hansen designs are still being produced by Georg Jensen. Bernard Hertz One of the most prominent and respected silversmiths in Copenhagen, the company was established ini. Axel Holm Copenhagen silversmith Axel Holm, Firstdate dk hj?rring company was registered from to He seem to have specialised in cufflinks - I have never seen any other types of jewellery by Firstxate maker.
Jacob Hull This artist became Fifstdate in the early s, when his work was exhibited internationally and was on sale in Illums Bolighus, the flagship retail outlet for Danish Design. He was a rolling stone, living around the country and also overseas eg Finland. He was also a sculptor of some note, whose work was accepted at the annual Charlottenburg exhibition. Eventually he settled down on the peninsula of Djursland in Jutland, Denmark, and it was there he died ina victim of a fire at his house. He was saved from the blaze, but returned to rescue a vintage car, and did not emerge again.
Hull's jewellery can be divided into two categories. Hull was very fussy about retaining his intellectual property rights, as his work was much copied. He insisted that everything leaving his workshop bore one of his stamps, J. HULL or Jacob, or Jacob Hull in script or etched initials, and it is thus likely that any unstamped piece was made without his knowledge or approval. Georg Jensen Subject of several large and weighty reference books, Georg Jensen is probably the most famous silversmith company in the world, so I will not attempt to provide a history in this space. In the company celebrated its centenary, continuing to develop and innovate.
Most of the early piecesdesigned during the first two decades of the 20th century, were designed by Georg Jensen. But many other designers were attached to the workshop and some of these have produced iconic 'Jensen' pieces. Once you know the designer's style, it is easy to recognise their pieces, even though they do not bear the designer name, only the Georg Jensen number and company stamp. Older catalogues and the many publications on Georg Jensen do however include the designers' names.
Hans Jensen There are three Danish makers listed who used the initials H. Hj?rrinv though the first was rk in Copenhagen and the second two in Aarhus, their periods are consecutive, and this leads me to believe that Flrstdate is one family, working from to in Copenhagen, and subsequently in Aarhus until His work is characterised by the pure simplicity of line, elegant design, Firstdtae substantial weight of the silver, and Firxtdate expertise uj?rring the craftsmanship. Their creations, always marked Bent K, and clearly inspired by Bent's time at Hans Hansen, exhibited the ck, clear and simple lines that are the hallmark of Hj?rding Modern. Their work does not appear frequently on do market, and is much sought after.
Whilst the workshop existed until a few years ago, production Fristdate silver items was gradually phased out during the s, when another of their passions, the paper cut, became their major concern and this has enjoyed worldwide acclaim and sales ever since. Firstdqte, who was registered in Copenhagen from to Ole Lynggaard. Ole L Ole Lynggaard Copenhagen was established in in a small workshop in Hellerup an upmarket Firtsdate in the north of Copenhagen. The firm has Firsgdate to become the definitive Danish luxury jewellery brand and purveyor to the Royal Danish Court. Now celebrating its 50th anniversary, it is still a family business with Lyngaard's daughter Charlotte hjr?ring her father as designer and goldsmith.
His son is the hk?rring director, and his son-in-law Firstdate dk hj?rring the commercial director. Meka or Meka Dkk, registered in Holte, north of Copenhagen, from to xk Production included enamelware spoons etc as Firxtdate as jewellery with designs in enamel similar to Volmer Bahner hj?rrin David-Andersen. As Royal Copenhagen Furstdate went on to purchase Georg Jensen as well, Michelsen was gradually merged with Jensen, and today only the annual forks and spoons bear the Michelsen name. Georg Jensen was apprenticed to Firstdate dk hj?rring Michelsen in the s, not the other way around!
Several of the most popular late 20th century Jensen pieces were actually designed for Michelsen. In the s Michelsen was commissioned to redesign the Royal medals and has been making these by appointment ever since. Hence the expertise in enamelwork which led to 3. After its takeover by Royal Copenhagen insilver designers were encouraged to work with ceramicists, which resulted in some very interesting and sought-after creations. At least since Anton Michelsen acknowledged its designers by stamping their signatures on each piece. Designers of the mid and late 20th century include: MIC was the maker's mark used for items produced in Sweden, and this mark is often seen on Gertrud Engel designs of the s, although they were also made in Denmark.
In Sweden they also cooperated with the Swedish company Borgila. MIK Andreas Mikkelsen born joined the Georg Jensen silver smithy in - - initially as a member of the firm's management. He was to become head of sales, head of production and product development and even rose to the post of managing director. All the while he was nurturing his artistic talents and collaborated with the silversmith Ove Wendt between and as well as independently. In the late s he started designing Jewellery and other products for the Georg Jensen company. These items cover everything from golf tees to Christmas decorations. Many of his jewellery designs were also incorporated into the Georg Jensen repertoire whilst he seems to have retained the copyright for them, which may seem unusual, but if you are the managing director, you can always make exceptions.
Not surprising - but this is my explanation for why you find those gems of fantastically sleek modernist jewellery by Mikkelsen with different combinations of signatures. They may appear with either A. They may appear with a combination of A. Finally they may appear with the Georg Jensen logo, with no designer mark. In these cases however, expect to pay at least twice the price, just for the more famous logo. The jewellery is cast and hand-crafted to an appearance as were the jewellery just to leave that ancient workshop, from where it originated.
Each piece of jewellery is accompanies by a specification giving details of age and finding place etc. All the viking jewellery is made from master moulds, which are either exact impressions of original found jewellery or reconstructions of jewellery remains and fragments of jewellery. All the Viking Jewellery is made in close cooperation with both national and international museums. More recently established the 'Spinning' brand. Henry Pilstrup — joined the Georg Jensen company in the year of its inauguration in and worked there until His first major design for a necklace no. His simple rectangular, bar-shaped cufflinks no. This style has been extremely popular since the s and s and you will find several examples on this site.
For items by Henry Pilstrup, please see under Georg Jensen RAUFF Started in the early s in Aarhus, Denmark, this producer of very high quality jewellery rose very quickly to prominence due to its innovative designs. It was his mission to create affordable quality jewellery in modern designs. He had the right idea, for the initial kr 2, investmentwhich he had saved from his salary as an apprentice, gradually led to the development of one of the largest gold and silversmiths in Scandinavia. Today the company uses the most advanced production methods and equipment for casting and stamping jewellery pieces.
Herman Siersbol died in a tragic accident in and the company was taken over by his 4 children. His son Henrik Siersbol is now the sole owner, and runs the company with his daughter Camilla. The company has existed since Still produces an extensive range of wedding rings as well as silver jewellery, handcrafted in Denmark. Veilskov's workshop was registered in Copenhagen from to He produced traditional jewellery as well as modern designs. He is particularly well known for his technique of matt enamelling.
He also produced modernist pieces in gold and pewter. The company was sold to Cohr see above in which itself has since been incorporated into the Gense cutlery company. Kupittaan Kulta Founder and chief designer, Elis Kauppi. Elis Kauppi;born at Turku, Finland, has been one of the few pioneers in the Finnish modern jewellery. He started working with jewellery in and founded Kupittaan Kulta Oy with two friends after the war inleading the trend away from the popular mid-century Firstdate dk hj?rring patterns to the design of innovative and simpler modernist pieces.
Modern Finnish jewellery art made its breakthrough inwhen four major modern jewellery designers: The jewellery of Kauppi has been exhibited in several international exhibitions and museums: Lapponia Most famous Finnish silversmith workshop, still producing Firstdate dk hj?rring of outstanding quality and design. Most notable are the Space series, started inclosely followed by the machine-age inspired Flame Bronze Series from onwards. Sarpaneva studied at the graphic arts department of the Institute of Industrial Art in Finland. The major influences on his designs were his childhood in the countryside with his father, who was a blacksmith.
He was inspired to create jewellery named after the bark of trees, weathered and dead pines and Karelian embroidery. Both the embroidery and the bark motifs require wax moulding casts, producing highly decorative surfaces. He has won numerous international awards for his bold, highly distinctive modern designs: Pearl Design Contest, HM. The company became world famous for its enamel jewellery in the first half of the 20th century and by the second half was exporting most of its production. Some of the most popular designs were butterflies and leaves.
The leaves were designed by Willy Winnaess, and bear his signature. In the s David-Andersen took the initiative to foster young and innovative designers of modernist 'Scandinavian Design' silver jewellery, with or without enamel, and these much sought-after pieces all bear the initials of the designer, preceded by INV inventor. His son Ivar joined the company in and took over the company in Prolific producer of traditional filigree as well as modernist enamelled jewellery and modernist plain silver. Ivar T Holth First registered in Oslo inthis silversmithy was a prolific producer of guilloche enamel jewellery, with an extensive export business. Run by Per Holth from to Finn Jensen Apprenticed to J.
The convent chapel has a carved altarpiece and pulpit. It replaced a modest house with timber framing and a straw roof dating from the 17th century. The building takes its name from the Liebe family who owned the property for two generations later in the century. Inthe Sugar House came into use as a fire station. When the fire station moved to new premises inRoskilde Museum took over the Sugar House. The five Viking ships represent several distinct classes, such as the Longship and Warship, and smaller fishing and ferry boats. The ships on display range from 10 feet 3 m to 50 feet 15 m in length.
The museum also undertakes research in experimental archaeology centred on Viking shipbuilding and seaworthiness. The boatyard, which also forms part of the museum, safeguards the Viking boat-building tradition by building and exhibiting full-scale ships on site. It is the only surviving travertine basilica in Denmark with a high central nave opening onto two lower lateral aisles. The church was attached to a convent for women of rank until the Reformation.